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This is another in the long line of clueless Negros who will stop at nothing at dissing Negros who exhibits any measure of independent thought.
Just for the record if asshole happens to read this, I am not planning on voting for McCain because he is a closet liberal sellout Republican weasel like a great many of current idiot fuck Republicans like the moron Governor of Indiana.

I do not vote for nor have I ever voted for “an individual” as much as I vote for principles, which is the primary reason why I will not waist my time voting for McCain in November.
I see him in the same mold as idiot fuck Newt pimping climate change bullshit with that liberal hack Nancy Pelosi. Newt is one of a growing crop if RINO’s who believes in compromising with idiot fuck liberals when I believe they should be doing the opposite.

As far as his post referring to anti-Obama Negros as “martyrs” and that fellow Negro conservative “prop up policies that hurt black America” is simply embarrassingly retarded and intellectually vacant.

As I have said many times on this blog, as a black man Obama’s ascension to the presidency is not high on my priority list nor will his presidency make me more of a man or a better black man. And just as any idiot liberal, Obama’s policies will no doubt keep way too many black folks, uneducated, unmotivated and impoverished. No amount of right wing Negro conservative bashing I hear from clueless Negros hacks will make me think otherwise.
This is why black folks are so fucked now because most are damm sheep and end up raising fucked up kids like the one in the “kill Bush” video below.

Instead of these stupid Niggas writing these fucken moronic posts castigating Negros who refuses to buy into Obama’s or any other Democrat bullshit try educating me on just how the Magic Negro plans to magically stop Niggas from killing each other, snorting child support payments up their noses, taking care of their kids and dropping out of school at an alarming rate. Then the ears may perk up.

From Sister Toldjah

I know this is the time of year where we’re supposed to show “good will” towards others in the spirit of the holiday season, but I’m not feeling especially charitable towards the left these days. Christmas is 2 days away. I’ll leave the left alone on that day and that day only.

I read this blogpost by Michelle Malkin this morning about a fanatical black woman shouting down white people during an angry New Orleans city council hearing last week in which a debate was held about razing public housing.

The woman, Sharon Jasper, would have you believe she’s a poor, helpless, victim, but in reality this woman is a known activist in the area who lives in the projects - and just so happens to have a mammoth wide-screen TV sitting in her livingroom. Check out the picture of Jasper’s livingroom here, and take special note of the quote underneath the picture. Here’s what it reads (emphasis added):

Sharon Jasper sits in the living room of her voucher-backed private residence. “I might be poor but I don’t like to live poor. I thank God for a place to live but it’s pitiful what people give you.”

To say that this is the epitome of the severe damage liberal “entitlement” programs have done to society would be an understatement of epic proportions. We have an entire class of people in this country who “expect” others to do everything for them, including subsidize their very existence, and they don’t want it done “on the cheap.”

Read the rest here.

ANGRY NEGROS!! GIMMIE MY MONEY!!!
At left, Kawana Jasper, left, and her mother Sharon Jasper talk to a man before the New Orleans City Council holds a meeting about tearing down public housing buildings in New Orleans. 
(Alex Brandon/AP Photo)

Oh people you gotta watch this. I wrote about this idiot Young yesterday but a million thanks to the blog Politik Ditto he has the actual clip.

People I know I talk about race issues a lot and I am brutally honest in my assessment of the Negro community and why black folks frankly are just fucked because they have the ignorant ass ghetto mindset of the old guard black rednecks like Young.

This is why blacks in general will never get off the Democrat plantation. What Young says here is no different that what countless numbers of black ministers say behind pulpits every Sunday, or old black dudes like my dad says.

Unless a new crop of black youth that are educated, motivated and informed grow up and start to process issues that face this nation in a reasoned, coherent manner free of this ghetto Negro world analysis of choosing our next president in terms of the perceived “blackness” of a given politician, black folks will be relegated to the rear of the social, educational and economic bus.

ATLANTA (AP) - Civil rights icon Andrew Young says Democratic presidential candidate Barack Obama is too young and lacks the support network to ascend to the White House.In a media interview posted online, Young also quipped that Democratic presidential candidate Hillary Rodham Clinton has her husband behind her, and that “Bill is every bit as black as Barack.”

Read the rest, but why bother. Unfortunately there are still many of these old guard civil rights Negro flunkies who are so indebted to the Clintons because of financial or political favors granted to these black rednecks they know that all of that will be lost if Hillary does not make the White House.

People… er uh, Niggas who blindly support Hillary should be ashamed of themselves. This is why black folks will never leave the Democrat plantation. Folks like Andrew Young are simply house niggas and the Clinton’s are the plantation owners.

This is why Oprah is supporting Obama. She is financially above all of the house nigga Democrat flunkies. The Clinton’s can’t buy her.

Verizon Wireless has abruptly pulled out as the presenting sponsor on Gwen Stefani’s current Sweet Escape tour due to an incident involving the trek’s opening act, Akon.

Last month, during a concert in Trinidad, Akon danced provocatively with a 15-year-old fan. When footage of the onstage dance found its way online, Verizon got cold feet. (Akon’s show in Trinidad was unrelated to and not part of the Sweet Escape tour, which commenced April 21 in Phoenix.)

In addition to ending its affiliation with the Sweet Escape trek, Verizon has also removed Akon ringtones and music from its stores and handsets. The Verizon Wireless V Cast TV spots featuring Akon are also history.

More of this story here

In case you missed the entire story go here: Where is the outrage?

Found this on the site: MediaTakeOut.com  

Looks like fallout from Cam’ron’s appearance on 60 minutes is already occurring. You see, a couple of days ago we got an email from one of Cam’ron’s reps (sorry we missed it - but it was sandwiched between some spam about Viagra and hate mail from a Beyonce fan). Here’s the statement that we’re supposed to believe came from Cam’ron:

In 2005, I was a victim of a violent crime. I was shot multiple times without provocation by two armed men who attempted to carjack my vehicle. Although I was a crime victim, I didn’t feel like I could cooperate with the police investigation. Where I come from, once word gets out that you’ve cooperated with the police that only makes you a bigger target of criminal violence. That is a dark reality in so many neighborhoods like mine across America. I’m not saying its right, but its reality. And it’s not unfounded. There’s a harsh reality around violence and criminal justice in our inner cities.

But my experience in no way justifies what I said. Looking back now, I can see how those comments could be viewed as offensive, especially to those who have suffered their own personal tragedies or to those who put their lives on the line to protect our citizens from crime.

Is this a joke, you know damm well dude did not say this bullshit… 

 Please understand that I was expressing my own personal frustration at my own personal circumstances. I in no way was intending to be malicious or harmful. I apologize deeply for this error in judgment.

No bitches and hoes pimping gansta rapper is gonna say PLEASE, and they sure as hell don’t give a shit if you “understand.”
The media spotlight put on these dudes as a result of Imus sure screwed them up.

If you missed the 60 minutes clip here it tis:

Reason #6,216,071 Imus was not the problem.
Check out this video apparently some folks in the hood thought this was funny enough
to post on You Tube further perpetuating the stereotype that black folks are a bunch
non-English speaking uneducated buffoons.
Gee thanks, someone call Al Sharpton!
This little girls future is already in jeopardy.

click photo to view

The Tawana Brawley hoax
Sharpton: The Dems’ David Duke
Sharpton and Edwards

*******
This is Oprah discussion day 2, on Imus and racism and rap music, this discussion was a joke because Russell Simmons and the other ghetto minstrels on the panel are simply circling the wagons.

This topic does not need a lot of discussion because these black men are simply getting rich of the backs and “asses” of black women.
It was clear during this discussion that they don’t want to acknowledge their role in demeaning women and glamorizing ghetto clown culture.
Simmons referred to these fools as “poets” which told me immediately that nothing will change.
Simmons and this other dude in the clip even went so far as to call these rap thugs “victims of a racist society.”
Watch the clip and be amazed at the level of stupidity.
Below is an article I found that spells out this situation perfectly.

One of the guest complained about the “lynch mob mentality towards hip hop” I say GOOD we need it to clean up this crap. All black folks need to beat back this idiot ghetto culture.

*******
Article:  Hip-Hop’s Betrayal of Black Women

By Jennifer McLune  - Article Link

Kevin Powell in Notes of a HipHop Head writes, “Indeed, like rock and roll, hip-hop sometimes makes you think we men don’t like women much at all, except to objectify them as trophy pieces or, as contemporary vernacular mandates, as baby mommas, chickenheads, or bitches.

“But just as it was unfair to demonize men of color in the 1960s solely as wild-eyed radicals when what they wanted, amidst their fury, was a little freedom and a little power, today it is wrong to categorically dismiss hip-hop without taking into serious consideration the socioeconomic conditions (and the many record labels that eagerly exploit and benefit from the ignorance of many of these young artists) that have led to the current state of affairs. Or, to paraphrase the late Tupac Shakur, we were given this world, we did not make it.”

Powell’s “socio-economic” explanation for the sexism in hip-hop is a way to silence feminist critiques of the culture. It is to make an understanding of the misogynistic objectification of black women in hip-hop so elusive that we can’t grasp it long enough to wring the neck of its power over us. His argument completely ignores the fact that women, too, are raised in this environment of poverty and violence, but have yet to produce the same negative and hateful representation of black men that male rappers are capable of making against women.

Powell’s understanding also lends itself to elitist assumption that somehow poverty breeds sexism, or at least should excuse it. Yet we all know that wealthy white boys can create the same hateful and violent music as poor black boys. As long as the boys can agree that their common enemy is female and that their power resides in their penis, women must not hesitate to name the war they have declared on us.

Hip-hop owes its success to the ideology of woman-hating. It creates, perpetuates, and reaps the rewards of objectification. Sexism and homophobia saturate hip-hop culture and any deviation from these forms of bigotry is made marginal to its most dominant and lucrative expressions. Few artists dare to embody equality and respect between the sexes through their music. Those who do have to fight to be heard above the dominant chorus of misogyny.

The most well known artists who represent an underground and conscious force in hip-hop—like Common, The Roots, Talib Kweli, and others—remain inconsistent, apologetic, and even eager to join the mainstream player’s club. Even though fans like me support them because of their moments of decency toward women, they often want to remain on the fence by either playing down their consciousness or by offering props to misogynistic rappers. Most socalled conscious artists appear to care more about their own acceptance by mainstream artists than wanting to make positive changes in the culture.

(more…)